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ЛЕНТА НОВОСТЕЙ ТОМА ПЕТТИ - 2
Goldenday: Новости, факты, интересные статьи, фото и пр.
Goldenday: На первом месте, видимо, будет Майкл Джексон.
Voldar: Бери выше - мадонна
stvol: Они предлагают собраться и послушать заранее: click here
Voldar: Stvol,спасибо большое за информацию.Я ниже приведу полный текст.А может и нам попробовать?Как раз на время заявленное в условиях,в Москве будет слет эломанов это минимум 15 человек.Думаю,если получиться,то и больше народа наберется.Какие соображения?В любом случае отправив заявку мы ничего не теряем. Хотелось бы добавить,что менеджментом Тома можно только восхищаться - какой нетривиальный ход придумали. Mojo Listening Parties Tom Petty and the Heartbreakers and Reprise Records are looking for enthusiastic fans to organize and host a listening party for the Tom Petty and the Heartbreakers’ upcoming album Mojo. What is a listening party? It’s an event held at a venue of your choice (local bar, record store, coffee house, your living room, etc) where the new album is played several times over the house stereo system. Ten fans will be picked from different cities to host their own listening party! The party should preferably be held in a public place so that fans and their friends and anyone else who wanders into the venue gets a chance to hear Mojo in its entirety prior to its official release on June 15th! These grassroots events help spread the word about Tom Petty and the Heartbreakers’ and the new album while also providing a great time for fans, old and new. If you are chosen to hold the listening party in your city, Reprise Records will send you a "listening party kit" which will include a CD and posters to help you promote your event. In addition, you will later receive a free copy of Mojo on vinyl and Blu-ray AND free tickets to a Tom Petty and the Heartbreakers show of your choice (some restrictions may apply depending on the show). All listening parties must take place between June 10th and the 15th. Please read the rules and guidelines on how to submit your proposal for the opportunity to hold your Mojo listening party. RULES AND GUIDELINES 1. Ten fans will be picked (possibly more depending on how many proposals are submitted) from different cities across the country. The party can be held either at a venue of your choice (preferably a public place such as your local bar, coffee shop, or record store, but your own living room is acceptable as well). The duration of the event should be roughly 2-3 hours. 2. You must submit your proposal on why you think you should be the one chosen to host the listening party via email. The deadline for submissions must be emailed to MojoListeningParty@TomPetty.com by June 2. Each listening party proposal will include details about your party such as the date you plan to hold the event, the venue where it will take place, what other festivities you have in mind, how you plan to promote the event, and how many attendees you think you will have (20-30 attendees minimum are required). Winners will be notified by June 6th. 3. Participant must agree to play the record at least as long as the event is taking place. You may integrate some other favorite Tom Petty and the Heartbreakers material, but the focus will be to get yourself, and your friends stoked on the new songs on Mojo. If the event is taking place in a public place such as a bar or coffee shop, the owner, bartender or clientele must agree to play Mojo and other Tom Petty and the Heartbreakers material for the duration of the event. Most bartenders or clientele should be excited to accommodate you as you will be bringing in business for them, especially if the party is being held at an otherwise generally slow time for them. 4. The Listening Party Kits will be shipped to all winners to arrive by June 8th. The package will include: a) Mojo CD b) 11 X17 full color posters c) Reprise Records will email you fonts and images from album art to create emails, banners, and widgets to help promote your event on your local blog, Myspace, or Facebook. 5. Mojo must be played on the venue house stereo system and not a little ipod speaker or boombox in the corner of the room. It is important that no other music is played in other parts of the venue. 6. All listening parties need to be documented to prove the event occurred in order to receive tickets. Digital photos of the listening party are required and video clips if possible. We will upload the photo/video from the listening parties to TomPetty.com and the band’s Myspace and Facebook Pages. Tom Petty and the Heartbreakers appreciate your support in helping get the word out about Mojo!
SLQ: Идея интерсная, но кто это все организовывать будет у нас?
Voldar: Есть у меня один однокашник,ныне трудиться кабатчиком.Узнаю,может им будет интересно.
SLQ: http://www.latimes.com/videobeta/?watchId=d08cab19-0581-44bc-abd0-c35363b8cd19 Небольшой фильмик о записи альбома Mojo
Voldar: Просто отличный промо ролик,видно что парням доставляет удовольствие играть.
stvol: Voldar, возвращаясь к Предварительному Прослушиванию Моджо. Если что, я обязательно буду. Смогу привести с собой двоих, по крайней мере. Ещё могу подкинуть информацию об этом мероприятии русской редакции "Роллинг Стоуна".
Voldar: Закинул информацию своему корешу,вроде заинтересовался,он вообще то по финансам,но обещал привлечь их пиарастов,в любом случае скажет что нибудь завтра,край послезавтра. Контора такая - http://www.sontek.ru/
SLQ: Хорошо, что уже столько всяких видео материалов появилось!
Voldar: На центральном форуме фан под ником minimart общался по телефону с группой в Mojo radio show.Интересная информация о европейском туре: Tom said a tour of Europe is coming.... The moderator commented that the fans in Europe want a tour and he said he needs to get over there. He said after this tour was over in Oct. he would work on the details of when. http://tompetty.infopop.cc/eve/forums/a/tpc/f/1426055511/m/680109064/p/3
Voldar: Очередное официальное видео с нового альбома. Jefferson Jericho Blues [OFFICIAL VIDEO]
Voldar: Чего то я сначала не залюбил эту песню,а теперь смотрю и вроде нормально,особенно для заглавной,звучит как определяющая к стилю альбома.
SLQ: Voldar пишет: Чего то я сначала не залюбил эту песню,а теперь смотрю и вроде нормально,особенно для заглавной,звучит как определяющая к стилю альбома. А мне она как-то сразу понравилась, еще с SNL. Закачала ее в аудио версии и слушала целыми днями в плеере.
Voldar: Очередное интервью с Томом. Tom Petty, the interview: 'I wanted to rough it up' No one could blame Tom Petty for feeling a little entitled. After all, most rock stars who have been inducted into the Rock and Roll Hall of Fame, played the Super Bowl halftime and sold more than 60 million records are well into the rock-royalty phases of their career. Which means they’re coasting. But Petty is a rock star who doesn’t behave like one. He’s more about work and process, rather than rewards and nostalgia. Chalk it up to his working-class Florida roots or a litany of potentially career-ending (or at least career-sidetracking) roadblocks: the break-up of his first band, Mudcrutch; Petty’s bankruptcy in 1979 amid a record-company squabble; the 1997 dissolution of his 22-year marriage to Jane Benyo that plunged him into a depression; the death of longtime bassist Howie Epstein in 2002. Yet Petty is making some of the best music of his career right now, no small feat for a rocker who has been at it for more than 30 years. He released an excellent solo album in 2006, “Highway Companion,” playing most of the instruments himself. He following it up by reassembling Mudcrutch for the 2008 better-late-than-never debut album they didn’t get a chance to make the first time around. And on June 15, he and his band the Heartbreakers will release, “Mojo” (Reprise), an unusually unvarnished document of the band in top form. In a recent interview before beginning a tour that brings him and the Heartbreakers to the United Center on July 17, Petty at 59 sounded fired up – or as fired up as anyone with a relaxed, Southern drawl can. For him, the music yet to be made is still the most exciting part of a career that is showing no signs of self-satisfied stasis. Q: You’ve been doing this for 30-plus years without any embarrassing misfires, and a string of solid albums and tours. That’s harder to do than it sounds. Any tips? A: We were really interested in the music most of all, and still are. We always played pretty head’s up ball with everybody. We weren’t attached to a fad. Maybe people felt there was an honesty to the trip. We always tried to make music that we felt had a timeless quality. More than anything it was just trying to adhere to keeping the bar as high as we could. I don’t think we noticed everyone around us to a great deal, because all our energy was going into what we’ve been doing. Then we’d look up occasionally and, yeah, we noticed a lot of tail lights going by (laughs). Q: There were a few moments, though, where it could’ve easily come apart. Did you ever feel like it was over for you guys as a band? A: The one moment I’m sure of is when Howie died. If (original Heartbreakers bassist) Ron Blair hadn’t been there to step back in, I personally would’ve called it a day as far as the Heartbreakers are concerned. I don’t know about them, but they probably would’ve too. I couldn’t have faced a new person filling that slot, it would’ve felt phony. I owe Ron a lot. From that point on the band got reinvigorated and got a new start. Q: It wasn’t a game-changer when (original Heartbreakers drummer) Stan Lynch left the band in 1994? A: It was very different with Stan. We were prepared for Stan to leave. That had been coming for a long time, and none of us was shocked when he did leave. It felt like we could do more with a new drummer. If it had been two of us gone, it would’ve violated the pact, the idea of having this group, having it stick together, to see what we could create out of this same group of people. It would’ve felt false. Q: Yet you see so many bands down to one or two original members still touring behind the original name. A: The thinking is usually financial, and it’s much easier to go on with a brand name rather than starting over. But that kind of thinking always lets me down. Q: It’s rare for bands to hang together this long. What keeps you bonded to the Heartbreakers? And how do you keep it fresh after 30-plus years? A: They’re my old friends, my brothers from way back, to when I was a young boy. They’re a talented group of guys, and we tend to complement one another. I don’t think there is something better I could be doing. I don’t long for a new band. On the contrary, I keep finding more in this group to work with. “Mojo” is a huge opening of a door for us. Every now and then you hit something where you find some new ground, and this is definitely one of those times. Q: In the 2007 Peter Bogdanovich documentary, “Runnin’ Down a Dream,” keyboardist Benmont Tench says he never felt like a hired hand or the member of a backing band, even though you’re the only guy with individual billing. You’re first among equals, obviously, but how you do keep the Heartbreakers feeling invested? A: I don’t think there’s ever been a relationship in the band where we’ve treated someone like a hired hand. We involve everyone in everything. I don’t stay in better hotels. I’m not treated any different than they are. We had very few times where we had a crisis in the voting about anything. At least the majority of us feel the same most of the time. Our trip has never been about becoming a celebrity or being in People magazine. Today it seems people want to start at the top, start at “American Idol” and go on to some form of instant fame from there. But ultimately that’s not a good way to go. Musically, there are not a lot of things like us around anymore. We came up playing live for our living, and then became a recording act after lots of trial and error. That served us really well. Q: Why did you reunite with your old band Mudcrutch after all these years? A: I felt there was unfinished business there. It was such a great band, but they never got their shot. That’s some of the most fun I’ve ever had doing that record. That was just absolutely self-indulgent fun. Those sessions went so well I wanted to involve the Heartbreakers in that sort of trip; we were going for a whole performance when we recorded rather than doing it piece by piece. Q: Mudcrutch shares some personnel with the Heartbreakers, but did you see it as a detour from what you do with the Heartbreakers? A: It’s definitely a detour, especially in the way we were applying what we did to country music, which we had huge education in the ‘70s. Mudcrutch is basically a West Coast rock band, the way it sounds. And for me, playing bass instead of guitar puts a different spin on things. It’s an entirely new rhythm section from the Heartbreakers. And it amazed me how easy it was, how quickly that sound returned. We made that Mudcrutch record in 10 days, with only four songs finished before we went in. Everyone got involved, threw in something, and afterward I thought, ‘Why in hell would I ever record any other way?” (laughs). Q: So the Heartbreakers used a little bit of the Mudcrutch approach? A: Yes. We got into a comfortable space in our rehearsal room (in north Hollywood, Calif.), which we call our clubhouse. We don’t have headphones. We sit in a semi circle, and recording doesn’t feel much different than a rehearsal would feel. One odd thing about the Heartbreakers, they have never rehearsed for an album. Each album has been created on the studio floor. That’s what we did this time to an even greater degree. I didn’t have demo tracks. I’d come in and teach them a song on guitar, just the skeleton structure, and then we’d work it up. As soon as we had something working as group, there was a recording of that event, and that became the record. Q: So you basically recorded the band live? A: Yeah, we’d never done it to this extent on a Heartbreakers records. We rarely went for a guitar solo or finished vocals as we were recording the basic track. We were more in record-making mode on past albums. We threw that idea out the window this time. We weren’t trying to construct something for the pop-music market. We’re really playing for ourselves. This is a record we couldn’t have made in the ‘70s and ‘80s because we weren’t really good enough as musicians. We’re using our age as a plus in this sense, in that we’ve become better musicians. For the last 10, 11 years, I’ve been immersed in blues. That’s what I listen to all the time and we got caught up in that vibe on this record. Q: When do remember first becoming aware of the blues? A: I feel like I was always aware of it. Most garage bands were playing blues in crude form during the ‘60s. I think about groups like the Animals or the Rolling Stones in the ‘60s, and all those singles you’d hear on the radio. But growing up, we didn’t have any radio station that was playing original blues. I had to learn about it from the Rolling Stones. They singlehandedly saved that music for my generation. We have to thank them for that. We’d scan the credits on albums from English artists, and be introduced to people like Bo Diddley, Howlin’ Wolf, Slim Harpo. And then we’d find the great beauty of that music. People think it’s simple, but it’s very tricky to play. I knew the structure of the blues when I was 14, 15, but I didn’t really know the music. I learned as I went along. As I listened to it more and more, there was a purity to it that I didn’t feel pop music had. I don’t think “Mojo” is really a blues record. It’s our version of it, but it’s leaning toward that side of record-making. It fits us very well right now. Q: So in studying that music, how did that change your approach as a band leader? A: I wanted to push (guitarist) Mike (Campbell) on this record especially. He’s by nature very tasteful and doesn’t overplay, but I wanted to create stuff where he could play a lot. I wanted him to be another voice on the record. On the “Highway Companion” album (2006), I put him on slide guitar. When we did Mudcrutch, we put him on B Bender Telecaster, which creates a very particular sound (similar to a pedal-steel guitar). On “Mojo,” he had a ‘58 Les Paul and we got a great sound on it right away and I said, “Let’s just stay with that guitar for the whole album.” Q: Was there a particular feel you were going for? A: I intentionally wanted the album to be rougher, not polish it up or make it a production piece. Let the space make the sound, and leave as much air in the arrangements as possible. Let ‘em breathe. I gave the engineer a bunch of records to listen to, early Jeff Beck Group, Traffic, Jimi Hendrix, the first Led Zeppelin record, John Mayall’s Bluesbreakers, and I said, “This is the kind of sound I want to get.” I also had him listen to Muddy Waters and John Lee Hooker. Q: What do you like about those records? A: Well, I like Traffic a lot because of the way they use these traditional song structures, but they could be very improvisational within that structures. Of course, what we do isn’t going to come out sounding like any of those records, but it allows us to get our version of that kind of music. It inspired our band, created a whole new power to work with. This band plays American music, and we play all types. This is another chapter. Q: What’s your favorite thing about being in a rock band – playing shows or making records? A: I love to make records more than anything. The idea of making something out of nothing. It’s more than a hard time for the music business and expectations for sales have gone down. But the music still reaches a lot of people. Even if it didn’t I’d still make the record. I don’t think people are going to stop making them. I’m old fashioned in that I try to make an album that’s a complete statement. I try to make records with a beginning, a middle and an end, and say something with that form. I feel right now that recording is more important than anything we’re doing. I was convinced to tour this year, and I’m gonna do it. But I could’ve just as easily gone back in and done another record. We were hot when we quit. Q: Will there be another Mudcrutch record? A: I certainly do see myself doing another Mudcrutch record, and I would be interested in getting Mudcrutch on the road. We did two weeks on the West Coast the first time, and we were just playing new stuff. And the audience knew it. Q: You’ve been known for playing new stuff on your tours at the expense of some of your better-known hits. A: Yeah, well, we’ve had enough looking back now. We’ve been through all the 30th anniversary stuff and the movie. OK, we’ve summed that up. Now it’s time to move forward, play some new stuff, show people we’re still creating. We will not turn into a jukebox. http://leisureblogs.chicagotribune.com/turn_it_up/2010/06/tom-petty-the-interview-i-wanted-to-rough-it-up.html
Voldar: У американских и канадских фанов праздник начался.Вчера в Колорадо стартовал тур 2010 - LiveNation. Tom Petty 2010 LiveNation Tour promo По сообщениям,посетивших концерт в Red Rocks Amphitheater сетлист выглядит так: Kings Highway You Dont know how it Feels I Wont Back Down Free Fallin Mary Jane Breakdown Drivin' Down to GA Jefferson Jericho Blues First Flash of Freedom Running Man's Bible I Should Have Known it Good Enough Learning to Fly Dont Come Around here no More Refugee You Wreck Me Mystic Eyes Runnin Down a Dream Первые впечатления: seth34h I just got home and honestly can't believe how great the show was tonight. There were plenty of hits, 5 Mojo songs in a row and the guys sounded fantastic. The band had incredible energy and Tom sounded better than he has in years. Ratcub posted the setlist from tonight in another thread for everyone. Can't wait for the Thursday night show!!!
SLQ: Первое фото с тура. Группу тут не видно, зато хорошо видно офрмление сцены
Voldar: Будем ждать видео.
Voldar: Просто замечательное освещение первого выступления Тома и команды в Красных скалах и на оффсайте ,и на форумах.. Opening Night At Red Rocks Opening night of Tom Petty and the Heartbreakers' Summer 2010 tour! The band certainly did not disappoint the sold-out crowd at the majestic Red Rocks Amphitheatre outside of Denver, CO. Joe Cocker began the festivities with a breezy and inspired set of hits including "Unchain My Heart," "With a Little Help from My Friends," "Feelin' Alright" and a cover of The Beatles' "Come Together," which he recorded for 2007's Hymn for My Soul. The excitement and anticipation at Red Rocks was undeniable as the Heartbreakers struck the first notes of tonight's opener, "Kings Highway," off Into The Great Wide Open. The guys tore through classics "Mary Jane's Last Dance" and "Breakdown" before surprising fans with a blazing version of the rare "Driving Down to Georgia" off the recently released The Live Anthology. Scott's wicked harmonica riff helped kick start "Jefferson Jericho Blues," which began a string of songs from Mojo, due out June 15. The capacity crowd was treated to live debuts of "First Flash of Freedom," "Running Man's Bible," "I Should Have Known It," and "Good Enough," all of which promise to be strong staples on this summer's tour. Wrapping up the set with "Refugee," Tom and the Heartbreakers returned to the stage and treated the audience to an intense triple-encore of "You Wreck Me," "Mystic Eyes," and the finale "Runnin' Down a Dream." Check out the photos from last night and stay tuned for updates, photos, and more from every night of the tour. It's going to be a fun summer!
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