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Ћ≈Ќ“ј Ќќ¬ќ—“≈… ƒ∆≈‘‘ј Ћ»ЌЌј - 2
Goldenday: ƒжефф поучаствовал в альбоме –егины —пектор 'Far'. о –егине —пектор: –одилась в 1980 году ћоскве. ¬ 1989 году, во врем€ ѕерестройки, вместе со своей семьей переехала в Ќью-…орк и поселилась в Ѕронксе. ѕолучила классическое музыкальное образование по классу фортепиано, закончила консерваторию в штате Ќью-…орк при Purchase College, по классу композиции. «акончила еврейскую религиозную школу. јвтор текстов и музыки, –егина —пектор исполн€ет свои песни, аккомпаниру€ себе на фортепиано или гитаре. “рудно определить жанр, стиль и направление творчества –егины —пектор: его называют anti-folk, но в нем есть что-то и от панка, и от инди-рока, и от классической музыки (–егина получила классическое музыкальное образование сначала в –оссии, а затем в Ќью-…орке, у профессора —они ¬аргас). ≈е сравнивают с Ѕьорк, с “ори јмос, с ¬ан ћоррисоном. Ќо она все же совершенно оригинальна. Ћирика –егины нарочито интеллигентна, с многочисленными культурными реминисценци€ми Ч Ёдип, —амсон, Ёзра ѕаунд, ѕастернак, а музыка экономна и из€щна, как классические €понские стихи. —амое главное - то, как она умеет играть голосом.
Voldar: »з сегодн€шнего шоудауна...’очу в »рландию Flash Mob Mr Blue Sky in Cork City
Sergey`M: Ќе пон€л что это там происходило?
Voldar: —ерега,флешмоб это общественна€ акци€ о которой объ€вл€ют обычно в инете.“ам в »рландии народ пригласили позажигать под Mr Blue Sky,вот они и зажгли.
Goldenday: «ажгли, надо сказать, великолепно. я наблюдал за пластикой движений - действительно, было похоже, что в такт Mr Blue Sky танцуют. ѕричЄм слаженно, что мен€ добило. «начит, ещЄ и репетировали.
Voldar: ƒжефф и сам похоже собралс€ позажигать... Adam Sandler 'invites 5,000 to party' Adam Sandler is reportedly continuing his holiday tradition of hosting a giant party in Hollywood. The actor has invited 5,000 people to the event, although this year's guestlist is somewhat smaller than 2009's bash, reports Reuters. Sandler apparently plans to take over all of Pickwick Gardens in Burbank for the party. The Grown Ups star's fest will feature bowling, ice skating, an open bar, food and a performance by Sandler's band, which will include Electric Light Orchestra's Jeff Lynne and guitarist Waddy Wachtel. The guestlist is to include Sandler's famous friends and everyone involved with his production company Happy Madison, as well as crews, producers, musicians and executives he has worked with in the past. http://www.hollywoodreporter.com/blogs/risky-business/adam-sandler-invites-5000-people-55686
Goldenday: Ќеужели ж ƒжефф решил вновь вживую поиграть? стати, посмотрел фильмографию —эндлера - оказываетс€, известный там чувак http://ru.wikipedia.org/wiki/Adam_Sandler , а € ни одного фильма с ним не смотрел
Voldar: Ёто может быть действительно интересно, € уже и не припомню, когда ƒжефф играл вживую на публике, возможно, он решил попробовать, а как вообще у него получитс€?
Goldenday: Voldar пишет: € уже и не припомню, когда ƒжефф играл вживую на публике ƒавай вспомним: 1." онцерт дл€ ƒжорджа" (2002) 2. » в середине 2000-х, насколько помню, Ћинн вышел на сцену в концерте ѕетти, чтобы исполнить вместе 'Handle With Care'. ¬от вроде и всЄ. Ќе густо.
Voldar: ¬спомнил - показывалс€ в этом году на ƒ– –инго.
AlexYar: Voldar пишет: ¬спомнил - показывалс€ в этом году на ƒ– –инго. јга, на подпевке …око.... возможно, он решил попробовать своеобразна€ репетици€ будущего тура!!!!
Voldar: “очно, —аш, на подпевки …око не каждого возьмет (а может, не каждый согласитс€).
“Ќё: Ёто вроде как комедийный актЄр. ¬озможно, что что-то смотрела с его участием, но не помню.
Ѕорис: ќбалдеть можно от такой спонтанной людской слаженности и от неподдельного удовольстви€ танцоров. » кочнечно же сие было бы невозможно без народной ирландской любви к ЁЋќ.
Voldar: ќчень может быть,мы услышим ешЄ одну совместную работу ƒжеффа. Now I Can Die: Rooney's Robert Schwartzman Drooled On Jeff Lynne In our two previous episodes of Now I Can Die we heard the stories of two musicians and their totally crazy encounters with their rock-star idols. Lzzy Hale of Halestorm gave Alice Cooper Pepcid AC at a record store (crazy!) and Brent Smith of Shinedown held a deli tray while Eddie Van Halen pissed on it (double crazy!). In our third installment of the series, things are considerably more tame. We won't give away too much of the story, but as you'll see in the video it involves a so-excited-he's-drooling Robert Schwartzman, lead singer of Rooney, and a awesome-at-Ping-Pong Jeff Lynne, leader of Electric Light Orchestra. Enjoy. ѕосмотреть ролик можно здесь - http://clutch.mtv.com/2010/11/30/now-i-can-die-rooneys-robert-schwartzman-played-ping-pong-with-jeff-lynne/
Goldenday: ѕока всЄ так туманно и туманно
Voldar: я думаю,что здесь возможна небольша€ хитрость со стороны ƒжеффа,так как ролик вощел в ротацию на MTV,а это продолжение промоушена.
Goldenday: “рогательна€ стать€ о ƒжеффе от одного из его давних поклонников: GonzoТs Gems: УThe Strange MagicФ Of The Electric Light Orchestra December 1st, 2010 By Sam УGonzoФ Gonzales One day in the summer of 1979, I walked into McMahanТs Furniture Store with my mom. She pointed to the stereos lined up to the left of the storeТs entrance and asked, УIf you could have one, which one would you pick?Ф I looked over the eight or so stereos and pointed to the one with the $99 price tag. УDo you want it?Ф she asked. I practically passed out with shock, but managed to mumble, УYes.Ф And just like that I had my very first stereo and my lifelong quest and love of collecting and listening to all genres of music began. Thanks mom!! I was so proud of my stereo. Now I had to get my hands on some albums. Which ones? There were so many to chose from. After giving it some thought, I bought a couple of greatest hits albums. They had more bang for my buck I reasoned. One of the albums was УELOТs Greatest HitsФ. Electric Light Orchestra was all over the radio airwaves around that timeЕ and nowЕ they were on my turntable. Needless to say, I spent many moments listening to ELOСs greatest hits, and especially my all time favorite Electric Light Orchestra song, УRockaria!Ф. Electric Light Orchestra came to be one day as Move members Jeff Lynne and Roy Wood worked on a Move track in the studio. With Jeff playing big guitar riffs and Roy overdubbing cello to the track, they created a sound that closely resembled an orchestra. It was the sound they had been looking for all along. That track, infused with classical overtones, immediately became the blueprint of the Electric Light Orchestra sound. The track was У10538 OvertureФ and it became the first Electric Light Orchestra song ever written. Now it was 1971 and ex-Move members Jeff Lynne, Roy Wood and Bev Bevan formed the primary core of Electric Light Orchestra. Effectively employing the use of violins and cellos, they recorded and unleashed upon us УNo Answer, a rock album with a very classical sound. The album, of course, contained the song that started it all, У10538 OvertureФ. It also contained a quirky sounding song entitled, УMr. RadioФ, which was intentionally made to sound like a recording from the 20s. Unforeseen, Roy Wood bailed out and left Electric Light Orchestra after the УNo AnswerФ album to form Wizzard, but Lynne and Bevan soldiered on and released their second album, Electric Light Orchestra II in 1973. The album presented us with the beautiful and sad song, УMamaФ, about a lonely young lady. And what a stroke of genius by Jeff Lynne and company to cover the Chuck Berry rocker, УRoll Over BeethovenФ. Starting out classically and then morphing into a rocking Gem, it clocks in at whopping 7 minutes 49 seconds. Electric Light Orchestra continued to draw heavily from the Beatles, releasing УOn The Third DayУ in 1973. With a Lennonesque tenor, Lynne sang the hits УShowdownФ and УMa-Ma-Ma-BelleФ perfectly, giving this album a much more confident sound than their previous albums. Electric Light Orchestra had found their sound and now they were really ready to crank out more big hits. Even John Lennon, during an interview, stated how much he liked УShowdownФ. УMa-Ma-Ma-BelleФ found both Jeff Lynne and Marc Bolan playing the main riff together in a very big way. Next up in the spotlight was 1974Тs УEldoradoФ. Up to this point Jeff Lynne had been tracking up two cellos and one violin. That ceased. A 30-piece orchestra and choir were hired for УEldoradoФ and produced the classic hit, УCanТt Get It Out Of My HeadФ. УMidnight, on the water, I saw the oceanТs daughter, walking on a waveТs chicane, staring as she called my name, and I canТt get it out of my headЕФ The song is beautiful and catchy enough that after a few listens you wonТt be able to get it out of УyourФ head. The hits were coming quick now. УFace The MusicФ, released in 1975, gave us the hit singles, УEvil WomanФ, which was written by Lynne in a total of six minutes, and УStrange MagicФ which was written on many different pianos throughout various locations in England while on tour. Lynne sings the obscure yet beautiful lyrics, УYouТre sailing softly through the sun, in a broken stone age dawn, you fly, so high, I get a strange magicЕФ. It was 1976, and a friend and I were driving down the road in his truck, listening to his new 8-track tape of Electric Light OrchestraТs УA New World RecordФ. I enjoyed the two first cuts: УTightropeФ, a song about being in trouble and looking for help, and УTelephone LineФ, a song about yearning for a lost love. The new release sounded pretty good thus far. Now УRockariaФ came on. The track opened with a female opera singer singing in true operatic fashion. УWhat the hell is that?Ф was my initial response. Suddenly, and without warning, the song morphs into a straight-out rocker and Jeff Lynne belts out, УJust got back from a downtown palace, where the music was so sweet it knocked me right back in the alley, oh babyЕФ I practically fell out of the moving truck. I stared at the 8-track player as if it held some type of magical powers. It was a song about a rocker intent on showing an opera singer how to rock and roll, to convert her into a true rock СnТ roller. The remaining standout tunes were УLivinТ ThingФ and a re-working of the MoveТs УDo YaФ. But the true Gem is УRockaria!У Its still my favorite Electric Light Orchestra song. Next, 1977Тs УOut Of The BlueФ was a double disc offering with УMr. Blue SkyФ, УSweet TalkinТ WomanФ and УTurn To StoneФ as the choice tracks. Jeff Lynne states that УMr. Blue SkyФ was inspired by being cooped up in a house in Switzerland for weeks writing music for УOut Of The BlueФ and then suddenly having the sun come out and making everything look beautiful. УSweet TalkinТ WomanФ, originally called УDead End StreetУ, was an early disco tune and a nod in the direction the band would take with their next album. УTurn To StoneФ, my favorite cut from the album, has great chords, a great Moog bass line and a great feel to it. 1977 saw УThe English guys with the big fiddlesФ playing on an enormous spaceship-shaped stage with fog machines and a laser light show. Quite the spectacle. УDiscoveryФ, or УDisco VeryФ as itТs been referred to, was released in 1979 and it showed a strong disco influence throughout the album. Though I am not the biggest fan of disco, the cuts on УDiscoveryФ were still catchy songs. YouТve got to love the whimsical air of УThe Diary Of Horace WimpФ, the upbeat attitude of УShine A Little LoveФ, the haunting beauty of УConfusionФ and the rocking heavy backbeat of УDonТt Bring Me DownФ. Interesting note: УDonТt Bring Me DownФ has УgroosФ in the lyricsЕ not УBruceУ. УGroosФ was a word Jeff Lynne made up in the studio while recording the song. You people singing УBruceФ all these yearsЕ time to УgroosФ it up. Electric Light OrchestraТs sound changed in 1981 with the release of the bandТs science fiction concept album, УTimeФ. The string section was replaced and synthesizers played a dominant role throughout this and the following two subsequent releases. УTimeФ generated the bandТs final hit, УHold On Tight.У 1983Тs УSecret MessagesФ had УRock And Roll Is KingФ, which was a sequel of sorts to Rockaria!Ф, and the Gem, УFour Little DiamondsФ, a Beatles-era Paul McCartney-esque rocker. 1986Тs УBalance Of PowerФ had УCalling AmericaФ, УGetting To The PointФ and УSo SeriousФ. An imminent split had been looming over the band for a while and now and after the release of УBalance Of PowerФ the band broke up. Lynne had become a sought-after producer and his focus shifted from Electric Light Orchestra to producing other artists. Impressively, he produced numerous artist such as Roy Orbison, Tom Petty, Paul McCartney, Brian Wilson, Dave Edmunds, Randy Newman, George Harrison and The Traveling Wilburys. His crowning achievement as a producer? He produced two songs, УFree As A BirdФ and УReal LoveФ for the Beatles Anthology series with the three surviving Beatles using John LennonТs vocals from tapes of unfinished tracks. A decade and half later, a new Electric Light Orchestra album appeared out of the blue. УZoomФ, released in 2001, continued on with the classic Electric Light Orchestra sound and delivered us УMoment In ParadiseФ, УIn My Own TimeФ and УEasy MoneyФ. IТm a sucker for a great pop song and УMoment In ParadiseФ is just that. A pop song at its finest. УEasy MoneyУ and УIn My Own TimeФ have the feel of 50s music. In УIn My Own TimeФ Jeff sings, УBye, bye, is that a tear in your eye, too late to cry, you and your precious disguiseЕФ. In recent times, Lynne has continued producing and some of Electric Light OrchestraТs music has been used in various Hollywood movies. УLivinТ ThingФ appeared in the movie УBoogie NightsФ; УShowdownФ graced the movie УKingpinУ; and most recently, УMr. Blue Sky shows up in the animated film УMegamindФ. With Jeff Lynne at the helm and serving as songwriter, lead singer, lead guitarist and producer, Electric Light Orchestra created fantastic pop/rock songs with a fusion of Beatlesque pop, classical music and a touch of quirkiness. Electric Light Orchestra racked up an amazing seventeen Top 40 hits between 1975 and 1981. If you get a chance, I invite you to check out my Gems: УRoll Over BeethovenУ, УRockaria!Ф and УFour Little DiamondsУЕ or even better find your own gems in the Electric Light Orchestra catalogue. Electric Light OrchestraТs strange magic is there waiting for you to discover for the first timeЕ or re-discover it all over again. http://ringsidereport.com/?p=5789
Goldenday: ѕопытка анализа взаимоотношений ƒжеффа с Ѕитлз: Many people know of ELO leader Jeff LynneТs love of the Beatles. What is perhaps less widely known is the love of the Beatles for ELO and Jeff Lynne! So here is a potted history of the relationship between the Fab Four and one of their greatest fans, with a few other great pop/ rock artists thrown in for good measure! The first time that Jeff Lynne met the Beatles was in 1968, when he was songwriter and lead vocalist for a band called the Idle Race. He was invited to the BeatlesТ Abbey Road studio where they were recording the White Album. Nearly four decades later, Lynne told Q Magazine that УTo be in the same room as the four of them caused me not to sleep for, like, three daysФ. The original aim of ELO, formed out of the ashes of Sixties pop group The Move, and led jointly by Jeff Lynne and Roy Wood (the latter leaving ELO after their first album had been released, to form Wizzard), was to Уtake up where the BeatlesТ I Am The Walrus had left off, and to present it on stageФ. Five years later, Lynne was paid the ultimate compliment, by his ultimate hero, John Lennon, who, during a radio show in New York in 1973, played ELOТs then-current single, Showdown, and lavished praise on it. Nor was that the last favourable comment that Lennon publicly bestowed on ELO. In an interview with Playboy magazine, recorded in September 1980, less than three months before he was shot dead by a lunatic ex-fan, Lennon said that УELO is son of I Am The Walrus. If somebody wants I Am The Walrus music, they just have to buy ELO records.Ф And, in a separate interview with Newsweek, a month later, Lennon praised ELO again: УI like pop recordsЕI like the ELO singing All Over The WorldФ. Lynne must have loved these compliments! Throughout ELOТs existence, critics drew the inevitable comparisons between the Beatles and ELO. Some were favourable comparisons, but many accused Lynne of Уripping offФ the Beatles, a charge which is in my view ridiculous. Quite apart from the fact that Lennon and Harrison had themselves both been sued for alleged plagiarism (for, respectively, Come Together and My Sweet Lord), whereas ELO never had been, there are no ELO songs that Уrip offФ the Beatles, in the sense of copying their songs. Sure, the Beatles influences are there Ц Lynne openly admitted that he was Уvery influenced by the BeatlesТ sound of Т68 and Т69. That has obviously been a big influence on the way IТve looked at songwritingФ. But being influenced by another band is something very different from ripping it off. All musicians are influenced by other musicians and anyway, as Lynne said, being compared with the Beatles was the ultimate compliment! When, in 1986, Lynne decided to disband ELO, he was approached by George Harrison via their mutual friend Dave Edmunds (for whom Lynne had recently produced two albums), asking if he would produce his solo album, Cloud Nine. Working with a team of stars, including not just Harrison but also Elton John, Eric Clapton, Ringo Starr and Ray Cooper, Lynne co-wrote one of the songs with George (This Is Love) as well as playing guitar, bass and keyboards. The success of Cloud Nine led to bigger things Ц Lynne and Harrison then joined forces with Bob Dylan, Roy Orbison and Tom Petty to form the Travelling Wilburys, and Lynne went on to produce solo albums by Orbison and Petty, co-writing several songs on the latterТs Full Moon Fever and Into The Great Wide Open. Anyway, back to the Beatles! So impressed was George Harrison with LynneТs production skills, he asked him to produce the two Уpost-BeatlesФ songs (written by Lennon in the late 1970s, and on which the three surviving Beatles played and sang), Free As A Bird and Real Love which, despite (or perhaps because of!) not being played on Radio 1, reached No. 2 and No. 4 respectively in the singles chart during 1995 and 1996. Despite Paul McCartneyТs initial scepticism about using Lynne, fearing that the latter had been brought in to basically say (as Lynne put it) УOh, letТs do it like George Harrison says!Ф, he was won round on hearing the final result - he gave Lynne Уthis great big hug and said СOh, John, give me a kissТФ. Lynne went on to produce McCartneyТs commercially (as well as critically) successful 1997 album, Flaming Pie. But it was always George Harrison that Jeff Lynne was closest to. Harrison played on LynneТs 1990 solo album, Armchair Theatre, as well as on the more recent 2001 ELO album Zoom, on which Ringo Starr also guested on drums on a couple of tracks. On GeorgeТs final album, Brainwashed, posthumously released in 2002, Lynne guested on backing vocals, guitars, bass and keyboards, and co-produced the record with George and his son Dhani. In November 2002, on the first anniversary of GeorgeТs death, Jeff Lynne appeared along with a galaxy of George HarrisonТs friends and fellow musicians, including Paul McCartney, Ringo Starr, Eric Clapton, Tom Petty, Billy Preston, Jools Holland and Dhani Harrison, at the Concert For George at the Royal Albert Hall. At that event, Lynne sang lead vocal on three Harrison tracks: I Want To Tell You (from Revolver), The Inner Light (B-side of Lady Madonna) and Give Me Love, Give Me Peace On Earth (from GeorgeТs Living In The Material World solo album), as well as playing guitar and contributing backing vocals on most of the songs in the concert. He also produced the concert audio soundtrack for the ensuing album/DVD release. http://www.absoluteradio.co.uk/vip/profile/ELObsessive/blog/5137/John__Paul__George_and_Ringo_____and_Jeff_Lynne.html
Voldar: ƒимыч,огромное спасибо,что раскопал эту статью.Ёто почти готова€ часть нашей истории вилбурис дл€ сайта.ћожет ещЄ и переведешь?
Ѕорис: ѕросим, просим!!!
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